Kylie Thomas is a researcher at the Netherlands Institute for War, Holocaust and Genocide Studies (NIOD) in Amsterdam. She is the author of Impossible Mourning: HIV/AIDS and Visuality after apartheid (Wits University Press & Bucknell University Press, 2014) and co-editor of Photography in and out of Africa: Iterations with Difference (Routledge, 2016) and Women and Photography in Africa: Creative Practices and Feminist Challenges (Routledge, 2020). She has held numerous research fellowships, including the European Institutes for Advanced Study Junior Research Fellowship at the Institute for Human Sciences, Vienna, Austria in 2017-2018; a British Academy International Visiting Research Fellowship at the University of Brighton in 2018-2019 and a Marie Skłodowska-Curie Individual Research Fellowship at NIOD (2019-2021). She writes about visual activism, feminist, queer and anti-racist movements, resistance and protest, and South Africa during and after apartheid. Her current research centres on four Jewish women photographers working at the time of the Second World War.
Kees Ribbens is a senior researcher at the Netherlands Institute for War, Holocaust and Genocide Studies (NIOD) in Amsterdam and an endowed professor of Popular historical culture of Global Conflicts and Mass Violence at Erasmus University Rotterdam. His interest is in how memories of war, genocide and mass violence in the twentieth and twenty-first centuries are represented in words and images. More generally, he looks at how individuals, groups and societies appropriate these histories, revealing a diverse range of contemporary meanings of memory. He is fascinated by the ways in which the Second World War is given meaning, represented and appropriated, each time anew, across various communities.
Ribbens studied history at Radboud University and obtained his PhD at Utrecht University, and was editorial secretary of the Tijdschrift voor Geschiedenis. His interest in public history leads him to be interested not only in commemorations, museums and history education, but even more so in popular imagery that, for changing target groups, is constantly transmitting new interpretations – within national and transnational frameworks – of historical war experiences. Studying this phenomenon, in tourism and games among other expressions, but especially in comics and graphic novels, reveals a diverse range of contemporary meanings of memory.
Harco Gijsbers studied Information, Service and Management (IDM) at the Hogeschool Brabant in Tilburg, specialising in Audiovisual Media, and then Film and Television Studies (FTW) at the University of Amsterdam. He has been employed by the Netherlands Institute for War, Holocaust and Genocide Studies (NIOD) in Amsterdam since 1999. At NIOD he is responsible for the content and technical management of the Image Bank WWII. He is also involved in illustrating publications and carrying out image research. His research interest is in photography and film from and about the Second World War and Indonesia, 1945-1950.
Annemarie van Dijk
Annemarie van Dijk is research assistant at the Netherlands Institute for War, Holocaust and Genocide Studies (NIOD) for the ImageLab project. She studied History at the University of Groningen, where she focused on how the Holocaust and (anti)racism in America are represented in media, culture and heritage. Her particular interest is in how storytelling in museums can be used to make these stories about racism and discrimination more known to the public. For her master thesis, she looked into how the representation of the Holocaust in the museum of Kamp Westerbork adapted to the needs of new generations. She did her internship at the Vancouver Holocaust Education Centre in Canada and volunteered at the United States Holocaust Memorial Museum.
NIOD ImageLab Interns
Brenda Bakker is a second-year student of the BA History at the Vrije Universiteit in Amsterdam. During her studies she took great interest in Holocaust and Genocide studies. She is fascinated by pictures and the stories they tell, which is why she is excited to be a part of the ImageLab team.
After finishing her BA in Liberal Arts and Natural Sciences at the University of Birmingham, Chiara is now completing her MSc at Leiden University in International Relations and Diplomacy and expected to graduate in June 22. With an interdisciplinary research background, Chiara has focused on the study of genocide and conflict, particularly in Africa. Having investigated why ordinary individuals committed genocide in Rwanda in 1994 for her BA thesis, her current masters thesis investigates the aftermath of genocide and explores the topic of collective memory culture. In particular, what happens when certain experiences are excluded from collective understandings of violent pasts.
Hanna Nieuwenhuizen is an intern at the Netherlands Institute for War, Holocaust and Genocide Studies (NIOD) for the ‘Behind the Star’-project. She is studying History at the University of Leiden with a minor in Middle Eastern Studies at the University of Amsterdam. For her thesis project, she is researching the difference between how men and women experienced their imprisonment at the Nazi-prison ‘Het Oranjehotel’ during the Second World War. The Oranjehotel held over 25,000 people for interrogation and prosecution during the war. It was for this project that she first came in contact with NIOD while going through the archives for possible sources.
Amber Zijlma recently finished her BA Ancient, Medieval and Modern History at Durham University, where she focused her dissertation on the 1929 Women's War in Nigeria. She enjoys doing historical research on many different topics, but feels especially passionate about critically looking at dominant discourses and finding ways to restore the stories of marginalised people in the narrative. She also hopes to make more of these stories known and more accessible to the public. She is currently an intern for the 'Behind the Star'-project at NIOD, where she is able to pursue stories that she had not engaged with before. She is grateful to be learning something new every day.
Digital Humanities Project Interns
Julie Koopman majors in the BA History and International Studies at the Vrije Universiteit in Amsterdam. She recognized that she is also interested and skilled in computational programming, which is why she took on the minor Digital Humanities. For this minor Julie studied the Modern Museum of Art in New York for the representation of female artists in its collection. Her internship at NIOD for the ‘Behind the Star’ project is the last part of this minor. Her ambitious and driven personality proves useful for the challenging assignment she has taken up in the project.
Star Siripanich is a third-year BSc Sociology student at the University of Amsterdam. As a part of the course, ‘Digital Humanities and Social Analytics in Practice’ at the VU, she is participating in the NIOD ImageLab as an intern responsible for assisting with research and data visualisations.
Behind the Star project volunteer
Jet Baruch studied Cultural history and Educational science at the Institute for Pedagogy in Amsterdam. In 1971 she started working at the Rijksmuseum in Amsterdam as an Assistant Curator and, later as Curator, of photography in the history department until her retirement in 2011. She worked on numerous exhibitions about the Second World War, sometimes in collaboration with NIOD. Topics included drawings from Ravensbrück; photographs taken by prisoner-of-war D. van Maarseveen; propaganda produced by the Dutch National Socialists (NSB); photo albums of German soldiers, and about the Rijksmuseum during the Second World War. After 1976, she participated in documentary photo exhibitions about current important issues in Dutch society, in which photographers were invited to show their view on the issue. After 1995, this project became known as Document Nederland. Since 2013 she has worked as a volunteer at NIOD, describing, documenting, and conducting research on photographs held in the Image Bank WWII.
Liesbeth Ouwehand is curator of photography at the National Museum of World Cultures, Leiden. She specialises in historical photography and photography of Southeast Asia in particular. She is interested in the materiality of photographs and the context that this materiality gives to photos and photo albums. Her latest publication includes the chapter “Chinese photographers and elite networks” in Peter Lee (ed.), Amek Gambar - Taking Pictures: Peranakans and Photography (Singapore: Asian Civilisations Museum, 2020).